In Case You're Wondering

In case you're wondering...

A view of the space... we had a great turnout...
I pulled out my camera after most had left

How my  opening at Alfa Art Gallery went last Friday.... OR
How I find the different artists to participate in my weekly Artist as Collector Series, this post is for you.

My work hung at Alfa Art Gallery
as part of the New Brunswick Art Salon Fall 2012

It was exciting for me to see how my sculptures and the drawings created from the shadows of the nets informed and related to each other in the gallery space.  I received wonderful feedback and came away feeling energized to continue exploring this series of nets- how they hang and the shadow drawings and paintings.

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It was also so wonderful to see so many family and friends- many who I had not seen in years, and others who took a break from dealing with the recent implications and devastation from Sandy.

Ethan Sherman's work at Alfa Art Gallery

I also met new artists- one of whom, Ethan Sherman was last Sunday's guest blogger for my Artist as Collector Series.  Ethan's paintings remind me remotely of Howard Hodgkin's work of whom I am a huge fan. I love Ethan's use of materials, the surface and the paint and how there is a pared down approach to his work.

My husband Scott was really drawn to the work of Dion Hitchings so you may soon find a post about Dion's work in our collection!

Back into the Sphere of Contemporary Culture

New Jersey based painter Ethan Sherman is this week's guest artist for our Artist as Collector Series.

Smooth
Acrylic, oil and spray paint on wood
16" x 13"
©2012NickRepasy

I recently acquired "Smooth" by my good friend Nick Repasy at an art auction during an opening reception at the Mason Gross School of the Arts.  I have a cyclical understanding of it because I was present when Nick purchased the printed portrait on wood from a second hand store. The process of taking a painting that somebody else made, owned, sold (or donated), and then re-making it can be seen as an amalgamation of numerous contemporary and historical metaphors for society and culture as a whole. 

The artist began with a black and white image; a dated portrait of a youth and time long gone. Color is a primary "update" for nostalgic media and the soft grain of spray paint on the image is reminiscent of hand-colored photographs from the turn of the century.  When addressing a found object, in this case a finished painting, one runs the gamut of formal and symbolic ideas already present in the work. The haze initiates a divide between the figure, foreground and background while simultaneously placing all of the formal considerations of the work on the same plane. This brings the viewer to consider the textural application of the acrylic and oil paints and their formal or subjective qualities. Spray paint is the strongest medium that suggests a delinquent approach to painting and materials, especially when used to extenuate a stylistically classical portrait.

This work recycles a once relevant image back into the sphere of contemporary culture for digestion by an audience that is subject to an infinite amount of personal and social ideologies. 

The most interesting part of the work to me is its inherent simplicity. It now hangs in my studio. 

Ethan Sherman's work currently
at New Brunswick Art Salon Fall 2012
Alfa Art Gallery, New Brunswick, NJ

Ethan Sherman, a recent graduate of the Mason Gross School of the Arts, Rutgers University  also studied at Pont-Aven School of Contemporary Art, Bretagne, France.  Currently, Nick's mixed media paintings are on view at the Alfa Art Gallery in New Brunswick, New Jersey.